「書籍的死亡與重生」

聯合策展：洪永起、鍾邵衡
展覽場地：油街實現
鳴謝：三聯書店（香港）
日期：2014年11月7日 – 2015年1月25日

Exhibition: Death and Rebirth of Books
Co-curator: Wing hei Hung, Bosco Chung
Special thanks: Joint Publishing HK

策展人的話

洪永起
寫作、設計、印刷、出版，每一本書都經歷同樣的旅程，最後來到讀者手上，方能完成作為一本書的歷程，然而有許多的書未必能夠走完這樣一個完整的旅程。由於本地出版業界同仁艱苦經營，出版的書除了發往門市，尚有部份被積存在貨倉裡，或許，從此不見天日，成為名符其實的「倉底貨」。出版社為了減少倉存壓力，每隔一段時間便會清理這批「倉底貨」，清理的方式，包括直接往去銷毀。是次展覽名為「書籍的死亡與重生」，幾個作品的原材料便是來自一批面臨被銷毀的倉底書。我們找來一批從事與書籍相關工作的藝術家，他們或是造書的，或是賣書的，或是設計書的，不同的工作面向令他們對書有不同的閱讀與理解。這些本應被銷毀的書藉透過藝術家的再造，賦與多重閱讀的可能性，亦希望能夠賦於書藉一次重生的機會。

個人簡介
「水煮魚文化」行政總監，「好家庭菜園」創辦人之一，同時亦為中學寫作班及有機耕種班導師。耕過數年田，寫過數篇小說，出版過數本書。近來熱衷瞓街，引致腰患與感冒不斷。

From the Curator’s Desk

Wing hei Hung

Writing, design, printing and publishing, every book have gone through the same journey , and finally distributed to reader as complete the life of book. However, many books may not be able to finish such a journey. Under the contribution of local publishing industry , books have two different life. One is sent to the stores while the others are accumulated in warehouses. Perhaps, this is the final terminal of them to become obsolence stock. In order to reduce the inventory pressure , it is very often to clean up these obsolence stock, including going directly to the destruction. The exhibition is entitled “Death and Rebirth of books”, raw materials are came from obsolence stock whose are being destroyed. We invited artists who are related to the work of book . They are either made of the book, selling books, or the designer of the book. They have different perspective of book which depends on their professional. Under the recycling of these artists, the life of book has changed. The processes endowed with multiple possibilities of reading, and hopefully impart the chance of rebirth to the books.

Profile
The Chief Executive of Spicy Fish Cultural Production Ltd. Wing hei is also one of the founders of Good Family farm. Besides, he teaches writing classes for high school and as an organic farming instructor . He has farmed for several years , and has written several novels , published several books. Recently, Wing hei enjoyed the lie-down-in-the-street protest, which causing waist suffering with a cold constantly .

策展人的話

鍾邵衡
通過水煮魚文化策劃的展覽，出版社清倉要銷毀的書以另一個形式進入觀眾的視線。以辦展覽的名義，策展小組獲得出版社批准，取去對方決定要銷毀的書。書原先的內容必須完全消失，才能展出。策展小組階段性地擁有了一批書，他們開始思考書是否已得到營救，這時候下毒手破壞它們，僅為了辦作品，這理由是否充分。另一方面，他們總不能食言，取消展覽，變相免費得到一批不錯的書。

進入了既動不了手又不能甚麼都不做的僵局，策展小組決定往後退，把這個課題交給一班特選的人。書的生產模式導致書在清倉期間被銷毀的現象，雖則誰都有資格為此提出說法，但策展小組希望分擔這個難題的人不單單是讀者，而是另外擁有多一重角色及持有多一重責任的人。這班人選擇了跟書有關的生計，儘管不能說明甚麼，但他們比僅是讀者的人更有包袱就是了。他們來自不同崗位，包括編輯、作者、書刊設計、印刷等。面對書必然或非必然要銷毀的提問，他們怎麼理解及回應由策展小組提供的特殊條件，即通過簡單的強制程序：遮眼摸書，選出一本，奉命於展覽中再呈現它。他們決定參與展覽，表示已接納負責裁決一本書的命運的使命，如同陪審團。

銷毀一本書，不代表消滅書承載的記憶。同一時間，同一本書可出現在不同地方。它可某君的書架，在某君的茶几，在某君的包包，在某君的手裡，在某君的枕邊；它可出現在浴室牆邊，頁角揚起，即使給放在地上，書依然微微張開來，展示讀它的人握住它時使出的力度，以及翻頁前捽頁角的慣性。每一位參展者選擇怎樣處理他們得到的書，將展示不同程度的，面對書的態度。每一本書被拾起後，被帶走後，被視為屬於某君後，書何時活著，何時死亡，展覽裡沒有答案。這兒僅讓無法以原來面目示眾的書被觸摸，被捨棄，被讀，被擱置，被破壞，被選擇，被呈現。

個人簡介

From the Curator’s Desk

Bosco Chung

The same book located on a shelf , or coffee table ,placed in the bathroom or lied on the ground , leaning against the wall. Then paper started getting yellow and folded slightly . On the other hand, after the owner finished strenuous exercise, there were some clothes lied at the bottom of the backpack . He was carefully to avoid the backpack from pressure. The value of books depends on its state of being placed. Publishers distributed the books whose are being destroyed to the artists and use for recycling. It was a chance for exhibitors and visitors to determine the book value together

Profile

藝術家簡介

陳家永
Chan Ka wingb 陳家永

Designer 設計師

wingb is a post-80 graphic designer graduated from School of Design, Hong Kong Polytechnic University. During his study, he joined fleurs des lettres (a Hong Kong literature magazine) and contributed to the design of the publication. In 2014, he co-founded the creative group Common Happiness.
He is now working in Creative Solution of South China Morning Post Group and the Art Director of fleursdes lettres, and accepting invitations from various art and cultural organizations to create much of his design work. His work can be seen on HKDA Global Design Awards Biannual.

80後平面設計師。畢業於香港理工大學設計學院，在學期間加入文學雜誌《字花》參與設計工作。2014年與夥伴組成 Common Happiness 。現工作於SCMP廣告及市場策劃部，及《字花》雜誌之美術總監，並受不同文化及藝術機構委託開始進行設計工作。作品曾收錄於香港設計師協會環球設計大獎作品集。

彭礪青（賣書的人）
彭礪青，沉靜的70後，畢業於浸會大學政治與國際關係學系，曾於《詩潮》、《秋瑩》等刊物發表詩歌，亦於本地及國內報章撰寫書評。

Pang Litsing (Book Seller)
Pang Litsing, one of the silent 70s generation, was graduated in the Hong Kong Baptist University, with Major of Government and International Studies. He publicized his poetry on Shichao(詩潮), Qiuying(秋螢) and other literary journals and writes book reviews on mainland and local newspapers.

陳麗娟
陳麗娟畢業於香港中文大學及皇家墨爾本理工大學(於香港藝術院修讀)，分別主修英文和藝術。文字創作散見《字花》、《明報》等。詩集《有貓在歌唱》(2010:香港，文化工房)獲第十一屆(2011)香港中文文學雙年獎推薦獎。部落格:littledeadcat.blogspot.com。育有一貓名普洱。

Graduated from the Chinese University of Hong Kong and the Royal Melbourne Institute of Technology University ( studied at the Hong Kong Art School ) , respectively majoring in English and art. She also occassionally contributed in local media such as ” Zihua “, ” Ming Pao ” etc . Anthology “The cat is singing ” ( 2010, Hong Kong Cultural Workshop ) won the eleventh ( 2011 ) Hong Kong Biennial Awards for Chinese Literature Choice Award . Blog : littledeadcat.blogspot.com. Fathered a cat name Pu’er

洪曉嫻（詩人，帶著書本行走的人）
畢業於中文大學文化研究系，曾參與中大學生報，吐露詩社，現為《字花》編輯。印刷工人之女，得到過許多瑕疵印刷品及過期書報，藏在床緣偷偷讀著，或偷寫心事。長大後耽溺於紙張之鋒利與輕薄，相信文學可以融化鋼鐵。

羅樂敏（編輯，造書的人）
羅樂敏，香港中文大學哲學系畢業，修畢同校英文系碩士課程。2010年加入香港文學雜誌《字花》，現為執行編輯，曾以「陳椎」為筆名發表詩歌及散文，文章偶見《號外》、《明報周刊》、《經濟日報》等。曾任香港國際文學節節目經理、創意寫作雜誌《筆尖》編輯。

Law Lok Man, Louise (Editor, Book-maker)

Graduated as a Philosophy major at The Chinese University of Hong Kong, Louise received a master degree in English at the same school. In 2010 she joined Fleurs des lettres, one of the most acclaimed Hong Kong literary magazine and is now one of the contributing editors. She also occassionally contributed in local media such as City Magazine, Mingpao Weekly and Hong Kong Economic Times. She was the Festival Manager at the Hong Kong International Literary Festival and the editor of a magazine for creative writing as part of the Get it Write! programme.

林淼Sui Lam

現職平面設計師;花心、亦充滿好奇心，容易被溫柔的事物吸引。習慣在歐洲不同的國界之間徘徊，探聽各個城市的心跳和語言。喜歡德國，偏愛北方——希望有天能在那裡找到個溫暖的角落安頓——與心愛的藝術館為鄰，或鑽研童書。

Curious, easily attracted by gentle objects. Like lingering among European. boundaries, listen to their heartbeat and language. Has love for Germany, but a greater passion for Scandinavia; hopes to settle there someday, be a neighbour of her favourite museums, while having lots of books to read.

張志華 Ryan Cheung
書藉設計師／自由工作者
Book Designer / Freelancer

要把文字放好。記得第一本我正式設計的書是幫一間機構造的文本書藉，當時尚未畢業，接到外面的工作欣喜若狂，但因經驗不足出來的結果非常失望。之後在書展跟它重遇，就像兒時的‭瀨尿布被掛在街上，大刺刺地展示從前的醜事，我低著頭就走，從此警惕自己要對每一本參與過的書負責。書就像歌曲，在你不以為然的時候，在我們的耳邊嗚奏著。而，動聽與否，就要看製作者的熱誠。‬

The text should be nicely settled on its destined place. I remember I was so excited to have my first book design job when I was an undergraduate. However, the outcome is not satisfied due to lacking experience. Afterward, I was shock to meet it again in a book fair. It’s like exposing an embarrassing history to the public. I beard in mind I have to be responsible to the book that I involved in production. Books are like songs. They will be broadcasted somewhere sometime and all of a sudden while the pleasant notes are depends on the participant’s passion.

黃倬詠 Wong Cheuk Wing Kathy（閱書的人 / A Reader）
曾從事活版印刷，現投身於設計行業，不贅。
Once engaged in letterpress printing, and now a designer.

陳芊憓（影像）
陳芊憓，影像工作者，作品包括《同話深水埗》、《麗生辦館》。曾任陳耀成導演的副導演，現在游走於社會運動之中拍攝紀錄。由於過於年輕所以不怕被擊敗，不斷從錯誤中學習成為更好的人。

Nate Chan, a photographer and camerawoman, has produced documentary films like “Tales of Sham Shui Po” and “Lai Sun Store”. Once acted as the assistant director of Evans Chan, a famous film director, she is now engaging in the shooting of social movements. Because of her youthfulness, she is not afraid of facing difficulties and frustration, willing to turn her weaknesses into her experiences, abilities and strength.

活動二：食譜詩工作坊
日期：12月14日
時間：下午2時至6時
導師：洪永起、洪曉嫻
報名詳情：facebook/fleursdeslettres
查詢：zihua2m@fleursdeslettres.com

簡介：
蘿蔔需要培土，紅菜頭需要移植，雪白與殷紅既可無瑕亦可壯烈，端視乎我們如何配搭。綠色可以是生菜的清、嫩與脆，也可以是鶴藪白的厚，春菊的香，甚至是Pesto的濃。是次「食譜詩工作坊」找來兼具耕種與煮食經驗，及文學創作經驗的導師，從有機蔬菜的培育、味道的配搭切入文學意象，與參加者一起發掘屬於自己的文學菜譜，並創作食譜詩。

Workshop: From Recipe to Poetry

Date：14th Dec.
Time：2:00pm – 6:oopm
Turoe：Wing hei Hung, Kitty Hung
Details：facebook/fleursdeslettres
enquiry：zihua2m@fleursdeslettres.com

We hill up to make the Radish grow better, and transplant to get the Beetroot stronger, all plants has their path to grow, and we just need to find out how to make it better. From green to red, from juicy to fragrance, we put the colors and tastes together to grow a beauty dishes, and make it literary. Our tutor, who do have experiences in planting, cooking and writing, will introduce how the foods relate to literature, and help all participants how to make their recipe become poetry.

活動三：漂書
漂書：2014年11月7日 – 2015年1月25日
漂書分享會：2014年12月28日
時間：下午3時至5時
查詢：zihua2m@fleursdeslettres.com

活動簡介：

漂書，其實就是讓空閒的書本在人群中流動，擁抱閱讀，分享知識。
同時舉辦「漂書分享會」，讓各位書友分享自己與書的故事。

bookcrossing：2014年11月7日 – 2015年1月25日
sharing session：2014年12月28日
time：下午3時至5時
enquiry：zihua2m@fleursdeslettres.com

We may occupy streets, but won’t occupy our knowledge. If you have some books have been sitting on your bookshelf for a while, we would like to invite you to share with others. Our bookcrossing will be happened from 7th November 2014, till 25th January 2015, All books are welcome. Plus, there will be a bookcrossing sharing session on 28th December, welcome everyone to share your stories about books.

團體介紹：

水煮魚文化／字花 Spicy Fish Cultural Production / Fleurs des Lettres
成立於2006年的慈善團體，為香港唯一一個同時肩負文學推廣、教育及出版的文學團體。旗下出版物包括文學雙月刊《字花》，同時亦推出「文學寫生」系列、「多媒體詩歌表演」及「文學報佳音」等跨界別文學創作系列。

As the only arts organization in Hong Kong which works simultaneously publishing, promotion and education on literary, Spicy Fish Cultural Production funded on 2006, and became charity on 2012. We publishes literature bimonthly Fleurs des Lettres, to promoting Hong Kong literature. Also, we are working on the creative writing scheme to bring up young writers and Hong Kong literature readers. SFCP also curate cross-media creations, such as Christmas Carol in Literary, Multimedia poetry performance, and Sketch in Literary, to explore the possibilities of literature.

閱行者BookWalker
閱行者成立於2010年，是香港推動漂書的先行者，至今已舉辦25次的漂書活動。閱行者希望透過書本打破人與人之間的隔膜，使人重新連結起來。除現實外，閱行者亦致力創與書有關的網絡平台及移動程式，促進科技與人文結合。

As a pioneer in promoting bookcrossing in Hong Kong, BookWalker is founded in 2010 and have held 25 public events in Hong Kong and Mainland China since then. It is the vision of BookWalker to connect people through books and to create a reading atmosphere in this city. BookWalker also strives to build online platforms and mobile application about books, achieving the convergence of technology and humanity.

「書籍的死亡與重生」

聯合策展：洪永起、鍾邵衡
展覽場地：油街實現
鳴謝：三聯書店（香港）
日期：2014年11月7日 – 2015年1月25日

Exhibition: Death and Rebirth of Books
Co-curator: Wing hei Hung, Bosco Chung
Special thanks: Joint Publishing HK

策展人的話

洪永起
寫作、設計、印刷、出版，每一本書都經歷同樣的旅程，最後來到讀者手上，方能完成作為一本書的歷程，然而有許多的書未必能夠走完這樣一個完整的旅程。由於本地出版業界同仁艱苦經營，出版的書除了發往門市，尚有部份被積存在貨倉裡，或許，從此不見天日，成為名符其實的「倉底貨」。出版社為了減少倉存壓力，每隔一段時間便會清理這批「倉底貨」，清理的方式，包括直接往去銷毀。是次展覽名為「書籍的死亡與重生」，幾個作品的原材料便是來自一批面臨被銷毀的倉底書。我們找來一批從事與書籍相關工作的藝術家，他們或是造書的，或是賣書的，或是設計書的，不同的工作面向令他們對書有不同的閱讀與理解。這些本應被銷毀的書藉透過藝術家的再造，賦與多重閱讀的可能性，亦希望能夠賦於書藉一次重生的機會。

個人簡介
「水煮魚文化」行政總監，「好家庭菜園」創辦人之一，同時亦為中學寫作班及有機耕種班導師。耕過數年田，寫過數篇小說，出版過數本書。近來熱衷瞓街，引致腰患與感冒不斷。

From the Curator’s Desk

Wing hei Hung

Writing, design, printing and publishing, every book have gone through the same journey , and finally distributed to reader as complete the life of book. However, many books may not be able to finish such a journey. Under the contribution of local publishing industry , books have two different life. One is sent to the stores while the others are accumulated in warehouses. Perhaps, this is the final terminal of them to become obsolence stock. In order to reduce the inventory pressure , it is very often to clean up these obsolence stock, including going directly to the destruction. The exhibition is entitled “Death and Rebirth of books”, raw materials are came from obsolence stock whose are being destroyed. We invited artists who are related to the work of book . They are either made of the book, selling books, or the designer of the book. They have different perspective of book which depends on their professional. Under the recycling of these artists, the life of book has changed. The processes endowed with multiple possibilities of reading, and hopefully impart the chance of rebirth to the books.

Profile
The Chief Executive of Spicy Fish Cultural Production Ltd. Wing hei is also one of the founders of Good Family farm. Besides, he teaches writing classes for high school and as an organic farming instructor . He has farmed for several years , and has written several novels , published several books. Recently, Wing hei enjoyed the lie-down-in-the-street protest, which causing waist suffering with a cold constantly .

策展人的話

鍾邵衡
通過水煮魚文化策劃的展覽，出版社清倉要銷毀的書以另一個形式進入觀眾的視線。以辦展覽的名義，策展小組獲得出版社批准，取去對方決定要銷毀的書。書原先的內容必須完全消失，才能展出。策展小組階段性地擁有了一批書，他們開始思考書是否已得到營救，這時候下毒手破壞它們，僅為了辦作品，這理由是否充分。另一方面，他們總不能食言，取消展覽，變相免費得到一批不錯的書。

進入了既動不了手又不能甚麼都不做的僵局，策展小組決定往後退，把這個課題交給一班特選的人。書的生產模式導致書在清倉期間被銷毀的現象，雖則誰都有資格為此提出說法，但策展小組希望分擔這個難題的人不單單是讀者，而是另外擁有多一重角色及持有多一重責任的人。這班人選擇了跟書有關的生計，儘管不能說明甚麼，但他們比僅是讀者的人更有包袱就是了。他們來自不同崗位，包括編輯、作者、書刊設計、印刷等。面對書必然或非必然要銷毀的提問，他們怎麼理解及回應由策展小組提供的特殊條件，即通過簡單的強制程序：遮眼摸書，選出一本，奉命於展覽中再呈現它。他們決定參與展覽，表示已接納負責裁決一本書的命運的使命，如同陪審團。

銷毀一本書，不代表消滅書承載的記憶。同一時間，同一本書可出現在不同地方。它可某君的書架，在某君的茶几，在某君的包包，在某君的手裡，在某君的枕邊；它可出現在浴室牆邊，頁角揚起，即使給放在地上，書依然微微張開來，展示讀它的人握住它時使出的力度，以及翻頁前捽頁角的慣性。每一位參展者選擇怎樣處理他們得到的書，將展示不同程度的，面對書的態度。每一本書被拾起後，被帶走後，被視為屬於某君後，書何時活著，何時死亡，展覽裡沒有答案。這兒僅讓無法以原來面目示眾的書被觸摸，被捨棄，被讀，被擱置，被破壞，被選擇，被呈現。

個人簡介

From the Curator’s Desk

Bosco Chung

The same book located on a shelf , or coffee table ,placed in the bathroom or lied on the ground , leaning against the wall. Then paper started getting yellow and folded slightly . On the other hand, after the owner finished strenuous exercise, there were some clothes lied at the bottom of the backpack . He was carefully to avoid the backpack from pressure. The value of books depends on its state of being placed. Publishers distributed the books whose are being destroyed to the artists and use for recycling. It was a chance for exhibitors and visitors to determine the book value together

Profile

藝術家簡介

陳家永
Chan Ka wingb 陳家永

Designer 設計師

wingb is a post-80 graphic designer graduated from School of Design, Hong Kong Polytechnic University. During his study, he joined fleurs des lettres (a Hong Kong literature magazine) and contributed to the design of the publication. In 2014, he co-founded the creative group Common Happiness.
He is now working in Creative Solution of South China Morning Post Group and the Art Director of fleursdes lettres, and accepting invitations from various art and cultural organizations to create much of his design work. His work can be seen on HKDA Global Design Awards Biannual.

80後平面設計師。畢業於香港理工大學設計學院，在學期間加入文學雜誌《字花》參與設計工作。2014年與夥伴組成 Common Happiness 。現工作於SCMP廣告及市場策劃部，及《字花》雜誌之美術總監，並受不同文化及藝術機構委託開始進行設計工作。作品曾收錄於香港設計師協會環球設計大獎作品集。

彭礪青（賣書的人）
彭礪青，沉靜的70後，畢業於浸會大學政治與國際關係學系，曾於《詩潮》、《秋瑩》等刊物發表詩歌，亦於本地及國內報章撰寫書評。

Pang Litsing (Book Seller)
Pang Litsing, one of the silent 70s generation, was graduated in the Hong Kong Baptist University, with Major of Government and International Studies. He publicized his poetry on Shichao(詩潮), Qiuying(秋螢) and other literary journals and writes book reviews on mainland and local newspapers.

陳麗娟
陳麗娟畢業於香港中文大學及皇家墨爾本理工大學(於香港藝術院修讀)，分別主修英文和藝術。文字創作散見《字花》、《明報》等。詩集《有貓在歌唱》(2010:香港，文化工房)獲第十一屆(2011)香港中文文學雙年獎推薦獎。部落格:littledeadcat.blogspot.com。育有一貓名普洱。

Graduated from the Chinese University of Hong Kong and the Royal Melbourne Institute of Technology University ( studied at the Hong Kong Art School ) , respectively majoring in English and art. She also occassionally contributed in local media such as ” Zihua “, ” Ming Pao ” etc . Anthology “The cat is singing ” ( 2010, Hong Kong Cultural Workshop ) won the eleventh ( 2011 ) Hong Kong Biennial Awards for Chinese Literature Choice Award . Blog : littledeadcat.blogspot.com. Fathered a cat name Pu’er

洪曉嫻（詩人，帶著書本行走的人）
畢業於中文大學文化研究系，曾參與中大學生報，吐露詩社，現為《字花》編輯。印刷工人之女，得到過許多瑕疵印刷品及過期書報，藏在床緣偷偷讀著，或偷寫心事。長大後耽溺於紙張之鋒利與輕薄，相信文學可以融化鋼鐵。

羅樂敏（編輯，造書的人）
羅樂敏，香港中文大學哲學系畢業，修畢同校英文系碩士課程。2010年加入香港文學雜誌《字花》，現為執行編輯，曾以「陳椎」為筆名發表詩歌及散文，文章偶見《號外》、《明報周刊》、《經濟日報》等。曾任香港國際文學節節目經理、創意寫作雜誌《筆尖》編輯。

Law Lok Man, Louise (Editor, Book-maker)

Graduated as a Philosophy major at The Chinese University of Hong Kong, Louise received a master degree in English at the same school. In 2010 she joined Fleurs des lettres, one of the most acclaimed Hong Kong literary magazine and is now one of the contributing editors. She also occassionally contributed in local media such as City Magazine, Mingpao Weekly and Hong Kong Economic Times. She was the Festival Manager at the Hong Kong International Literary Festival and the editor of a magazine for creative writing as part of the Get it Write! programme.

林淼Sui Lam

現職平面設計師;花心、亦充滿好奇心，容易被溫柔的事物吸引。習慣在歐洲不同的國界之間徘徊，探聽各個城市的心跳和語言。喜歡德國，偏愛北方——希望有天能在那裡找到個溫暖的角落安頓——與心愛的藝術館為鄰，或鑽研童書。

Curious, easily attracted by gentle objects. Like lingering among European. boundaries, listen to their heartbeat and language. Has love for Germany, but a greater passion for Scandinavia; hopes to settle there someday, be a neighbour of her favourite museums, while having lots of books to read.

張志華 Ryan Cheung
書藉設計師／自由工作者
Book Designer / Freelancer

要把文字放好。記得第一本我正式設計的書是幫一間機構造的文本書藉，當時尚未畢業，接到外面的工作欣喜若狂，但因經驗不足出來的結果非常失望。之後在書展跟它重遇，就像兒時的‭瀨尿布被掛在街上，大刺刺地展示從前的醜事，我低著頭就走，從此警惕自己要對每一本參與過的書負責。書就像歌曲，在你不以為然的時候，在我們的耳邊嗚奏著。而，動聽與否，就要看製作者的熱誠。‬

The text should be nicely settled on its destined place. I remember I was so excited to have my first book design job when I was an undergraduate. However, the outcome is not satisfied due to lacking experience. Afterward, I was shock to meet it again in a book fair. It’s like exposing an embarrassing history to the public. I beard in mind I have to be responsible to the book that I involved in production. Books are like songs. They will be broadcasted somewhere sometime and all of a sudden while the pleasant notes are depends on the participant’s passion.

黃倬詠 Wong Cheuk Wing Kathy（閱書的人 / A Reader）
曾從事活版印刷，現投身於設計行業，不贅。
Once engaged in letterpress printing, and now a designer.

陳芊憓（影像）
陳芊憓，影像工作者，作品包括《同話深水埗》、《麗生辦館》。曾任陳耀成導演的副導演，現在游走於社會運動之中拍攝紀錄。由於過於年輕所以不怕被擊敗，不斷從錯誤中學習成為更好的人。

Nate Chan, a photographer and camerawoman, has produced documentary films like “Tales of Sham Shui Po” and “Lai Sun Store”. Once acted as the assistant director of Evans Chan, a famous film director, she is now engaging in the shooting of social movements. Because of her youthfulness, she is not afraid of facing difficulties and frustration, willing to turn her weaknesses into her experiences, abilities and strength.

活動二：食譜詩工作坊
日期：12月14日
時間：下午2時至6時
導師：洪永起、洪曉嫻
報名詳情：facebook/fleursdeslettres
查詢：zihua2m@fleursdeslettres.com

簡介：
蘿蔔需要培土，紅菜頭需要移植，雪白與殷紅既可無瑕亦可壯烈，端視乎我們如何配搭。綠色可以是生菜的清、嫩與脆，也可以是鶴藪白的厚，春菊的香，甚至是Pesto的濃。是次「食譜詩工作坊」找來兼具耕種與煮食經驗，及文學創作經驗的導師，從有機蔬菜的培育、味道的配搭切入文學意象，與參加者一起發掘屬於自己的文學菜譜，並創作食譜詩。

Workshop: From Recipe to Poetry

Date：14th Dec.
Time：2:00pm – 6:oopm
Turoe：Wing hei Hung, Kitty Hung
Details：facebook/fleursdeslettres
enquiry：zihua2m@fleursdeslettres.com

We hill up to make the Radish grow better, and transplant to get the Beetroot stronger, all plants has their path to grow, and we just need to find out how to make it better. From green to red, from juicy to fragrance, we put the colors and tastes together to grow a beauty dishes, and make it literary. Our tutor, who do have experiences in planting, cooking and writing, will introduce how the foods relate to literature, and help all participants how to make their recipe become poetry.

活動三：漂書
漂書：2014年11月7日 – 2015年1月25日
漂書分享會：2014年12月28日
時間：下午3時至5時
查詢：zihua2m@fleursdeslettres.com

活動簡介：

漂書，其實就是讓空閒的書本在人群中流動，擁抱閱讀，分享知識。
同時舉辦「漂書分享會」，讓各位書友分享自己與書的故事。

bookcrossing：2014年11月7日 – 2015年1月25日
sharing session：2014年12月28日
time：下午3時至5時
enquiry：zihua2m@fleursdeslettres.com

We may occupy streets, but won’t occupy our knowledge. If you have some books have been sitting on your bookshelf for a while, we would like to invite you to share with others. Our bookcrossing will be happened from 7th November 2014, till 25th January 2015, All books are welcome. Plus, there will be a bookcrossing sharing session on 28th December, welcome everyone to share your stories about books.

團體介紹：

水煮魚文化／字花 Spicy Fish Cultural Production / Fleurs des Lettres
成立於2006年的慈善團體，為香港唯一一個同時肩負文學推廣、教育及出版的文學團體。旗下出版物包括文學雙月刊《字花》，同時亦推出「文學寫生」系列、「多媒體詩歌表演」及「文學報佳音」等跨界別文學創作系列。

As the only arts organization in Hong Kong which works simultaneously publishing, promotion and education on literary, Spicy Fish Cultural Production funded on 2006, and became charity on 2012. We publishes literature bimonthly Fleurs des Lettres, to promoting Hong Kong literature. Also, we are working on the creative writing scheme to bring up young writers and Hong Kong literature readers. SFCP also curate cross-media creations, such as Christmas Carol in Literary, Multimedia poetry performance, and Sketch in Literary, to explore the possibilities of literature.

閱行者BookWalker
閱行者成立於2010年，是香港推動漂書的先行者，至今已舉辦25次的漂書活動。閱行者希望透過書本打破人與人之間的隔膜，使人重新連結起來。除現實外，閱行者亦致力創與書有關的網絡平台及移動程式，促進科技與人文結合。

As a pioneer in promoting bookcrossing in Hong Kong, BookWalker is founded in 2010 and have held 25 public events in Hong Kong and Mainland China since then. It is the vision of BookWalker to connect people through books and to create a reading atmosphere in this city. BookWalker also strives to build online platforms and mobile application about books, achieving the convergence of technology and humanity.